17,691 Royalty-Free Audio Tracks for "Midi Files Of Musical Scales In B"

*Second Feigenbaum constant on C. α/1 = 2.50291 = 1588.33 cents. MIDI pitch bend: 33,60

Violoncello chord on D.

*Young temperament major third on C. = 391 cents.

*Young temperament widest major third on C. = 407 cents.

Seventh of a dominant seventh chord in C. Created by Hyacinth (talk) 22:57, 13 May 2010 using Sibelius 5.

Major triad on C in first inversion.

Major triad on F in second inversion

D-over-F-sharp slash chord.

E5 power chord in eighth notes. Created by Hyacinth (talk) 12:48, 2 July 2009 in Sibelius 5 set on "electric guitar" triple forte.

D chord in drop D tuning.

Mu chord on G. Created by Hyacinth (talk) 00:08, 9 November 2009 using Sibelius 5.

A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.

Octave and Minor third on C

Lydian chord on C.

Mu major chord on C. Created by Hyacinth (talk) 21:52, 9 November 2009 using Sibelius 5.

Minor tenth on C - As MIDI

*Major ninth on C = D'. Equal-tempered: 214/12:1 = 1400 cents. MIDI pitch bend: none

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

G major chord, root in red.

Eleventh chord diatonic on C.

Major triad on F in first inversion

Dominant eleventh chord on C, C11, with third. V11 in F major. Created by Hyacinth (talk) using Sibelius 5.

Fifteenth chord from Schoenberg on C

Mu chord on E, for guitar. Created by Hyacinth (talk) 22:45, 22 December 2011 (UTC) using Sibelius 5.

Dominant eleventh without third.

Seven six chord on C (C7/6). Created by Hyacinth (talk) 15:53, 26 June 2011 (UTC) using Sibelius 5.

Major triad on C in second inversion.

Minor triad on A in first inversion. Created by Hyacinth (talk) 18:56, 23 November 2010 using Sibelius 5.

Minor chord on A.

Major thirteenth on F

*Major tenth on C = E'. Equal-tempered: 216/12:1 = 1600 cents. MIDI pitch bend: none

Minor thirteenth on F, as MIDI

Minor major sixth chord on C.

Minor chord on C

Created by Hyacinth (talk) using Sibelius.

Iidim6 chord in C.

Simple and compound major third (major third and major tenth).

Just augmented sixth on C. 225:128 = 976.54 cents.

Octave on C. 64/1: 7200 cents.

Dominant form chord: Dominant ninth chord preceding tonic chord and possessing a primary dominant function.

Octave on C. 16/1: 4800 cents.

*Pi on C. π = 3.14159 = 1981.79 (octave and 781.79 cents) cents. MIDI pitch bend: 79,59

*Wallis product (pi/2) on C. π/2 = 781.79 cents. MIDI pitch bend: 22,90 on P5

*16 steps in 17 equal temperament on C = B♮ (Easley Blackwood's notation). Equal-tempered: 216/17:1 = 1129.41 cents. MIDI pitch bend: 53,73 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on M7 on ~54,73 for 1129.44 cents.

*11 steps in 17 equal temperament on C = A♭ (Easley Blackwood's notation). Equal-tempered: 211/17:1 = 776.47 cents. MIDI pitch bend: 60,56

*14 steps in 17 equal temperament on C = B♭ (Easley Blackwood's notation). Equal-tempered: 214/17:1 = 988.24 cents. MIDI pitch bend: 30,60

*13 steps in 17 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 213/17:1 = 917.65 cents. MIDI pitch bend: 83,69

*1 step in 72 equal temperament on C. Equal-tempered: 21/72:1 = 16.67 cents. MIDI pitch bend: 43,69 Created in Sibelius with midi pitch bend on 69 for 15.625 cents rather than 16.667. New version a PU on 43,69 for 16.6748046875 cents.

A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.

Secondary dominants in Beethoven's Symphony No. 1, introduction.